|Te Kinga Sunset. Olympus EP-3, Dramatic Tone filter|
We headed out to Moana, a town about half an hours travel from Greymouth, that has stunning lake views if the light is right (and we were hoping it would be).
Sunset was late - around 9.30pm, so we travelled around a bit in the early evening, looking to find the right spot to set up and catch the sunset. We finally settled on the tiny settlement of Te Kinga, nestled next to the lake (Lake Brunner), since it offered a range of possibilities for varied shots.
The above image was taken reasonably early on in the evening, around 8.00pm, just as the sun was starting to sink and colour was appearing on the horizon. As soon as we saw this happen, we knew we were going to be lucky enough to witness another stunning sunset - and even more lucky to catch it on camera!
|Pink Sky's at Night. Olympus EP-3, Pop Art filter|
Then I switched to the 'Pop Art' filter, and bingo - success! The colours that were already happening in the sky were intensified 100%, and immediately I knew this was what I was after.
The Pop Art filter has two saturation settings - the first is totally crazy psychedelic, the second a bit more subtle, and it was the second setting that I went for. Enough to make you go 'wow', but not too much to make you go 'aarrghh'.
Funnily enough, the Pop Art filter was one of the filter sets I dismissed as pointless when I initially looked through the menu, but in reality I've started using it quite a bit. And for sunsets, it rocks!
|Te Kinga Silhouette. Olympus EP-3, Pop Art filter|
|In the Fiery Glow. Olympus EP-3, Pop Art filter set to mode II|
Could I have gotten the same result by switching the colour mode on the camera to 'Vivid' (instead on Neutral)? I don't know, because I didn't try it. I suspect even at 'Vivid', the colours wouldn't be as vibrant as they are when you use the Pop Art filter - but I'll actually have to test that out next time. In fact, for a guy who likes punchy colours (Velvia is my all-time favorite film), what am I doing shooting in 'Nuetral' colour space anyway? Maybe I really should investigate further!?
|Te Kinga by Moonlight. EP-3, Pop Art filter, 20sec exposure at f11|
I love long exposure images, so I was very keen to see how the EP-3 handled under these conditions. To get the best out of the sensor I switched to ISO 200, to keep the noise as low as possible. But I stayed on 'Pop Art' to keep the intensity in the colours that I was seeing on the lcd screen. With an aperture of f11 to get good depth of field, shutter speeds ranged between 15 to 30 seconds, depending on where I pointed the camera. After the exposure, the camera also applied its own noise reduction process, doubling the exposure time (a 15 second exposure was followed by a 15 second noise-reduction exposure by the camera).
The resulting images are OK - but not completely noise free. To get the above image looking how I wanted, I did have to put the image through Noise Ninja. Having said that though, it cleaned up very well, and these are all jpegs remember. I probably could have gotten an even better result had I switched to RAW? That's an experiment for next time as well.
So what's the verdict? Would I use the Pen EP-3 for 'serious' professional landscape work? Yes, I would. In fact I'm sure that some of these Te Kinga sunset images will appear in future calendars. I wouldn't hesitate to print them up to 8x12 as is - and easily 11x16 with some added noise reduction.
Has it made my Canon gear obsolete? No, of course not. If anything, the limiting factor for me at the moment is lenses. 28mm isn't quite wide enough for me at time on the EP-3. I'd love to go to 24mm, or maybe even 20mm.
Hang on... isn't there a conversion lens that lets you do that to the standard lens on the Pen? Might have to look into that I reckon.