Since receiving my Sony a77ii last week (while I was isolating at home with my second bout of Covid), I've been itching to get out and shoot with it. If only to set me mind at ease, due to my experience with the a57 (see here).
Given that I'm still in the Covid recovery phase, all I really want to do in the evenings is rest after a day at work. But I was determined to take some photos with the a77ii. And with bad weather forecast for the next week, I decided to go out last night (as I write this) and make the most of the good weather.
We've been having some stunning sunsets here on the West Coast recently, and I was hoping that this evening would be no exception. The conditions looked promising - but alas, it was not to be.
Cobden Beach. Sony a77ii with Zeiss Vario-Sonnar T* 16-80mm f/3.5-4.5 ZA DT (SAL-1680Z) |
The above image is pretty standard stuff - nothing to get too excited about. But it's the first photo taken on my 'new' Sony a77ii, with my 'new' Carl Zeiss Vario Sonnar T* 16-80mm ZA DT lens (wow, that's a mouthful)!
Again, nothing special - the spectacular lighting never eventuated. But it is sharp (shot at f11), has good detail, and the colours look natural. So I'm happy.
Rusty wheel. Sony a77ii with SAL-1680Z. f/5.6 @ 1/30th, ISO 100 |
In fact, I'm very pleased with the sharpness, although I guess I shouldn't be surprised - given that I was using the 16-80mm Carl Zeiss Vario Sonnar T* lens. You should expect nothing but stellar results from a Carl Zeiss designed lens, and I'm happy to report that that appears to be the case. I'm pretty sure this lens will remain practically glued on to the front of this camera, given its fantastic 24-120mm focal range and fairly good f/3.5-4.5 aperture. I will write a more in-depth review of the lens in due course...
Cobden Tiphead Sunset. Sony a77ii with SAL-1680Z. HDR blend in Photoshop |
As previously mentioned, the brilliant sunset colours never eventuated. Which is a shame, since the clouds were looking very dramatic. The image above is really as good as it got, and even this had to be created from a two-shot blend - one for the highlights and one for the shadows.
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Thanks for your reply. I really appreciate you taking the time to comment on this post. I will get back to you as soon as I can.
Thanks again
Wayne