I hadn't been out to shoot landscapes for a while (been too busy processing weddings), so my mate Stewart and I decided to head down to our local beach last evening and shoot some landscapes.
This is one of the images I took using the 1D and a 17-40mm f4L. It was shot hand-held, simply because I had left the contact plate for my tripod at home, so couldn't connect the 1D to my tripod.
As the light was getting low, I was forced to look up into the sky to get more light for hand-holding - and noticed this cloud formation. I don't normally look up into the sky for my landscapes, other than as a component for the overall picture. I use sky as an element in the composition, but hardly ever as the main subject itself.
Maybe that's why I like this image so much. It's a departure for me, a different way of looking and thinking about my images, and if I had been able to use my tripod, it is probably a photo I would never have taken. It might not be an photo that will win me too many awards - if any - but it's a bit of a lightbulb moment.
Hopefully now I will 'look up' more often.
Tuesday, 27 January 2009
Monday, 26 January 2009
A Journey into Infra Red
It's interesting to see where things might lead if you keep an open mind.
I have (or should that be 'had') no interest in Infra Red photography whatsoever. Sure, it was the kind of technique I thought I might 'give a go' one day - I even bought a roll of infra red Kodak film back in the good old days - and I've probably still got it somewhere? From the little I had read about it infra red photography seemed like, well, too much hard work.
But that, of course, was before digital. Not that I had any burning desire to play with infra red techniques with digital either. Until I saw a camera come up on Trademe.
Infra red in the past, even with digital, meant using special (read expensive) filters, long shutter speeds, guesswork in terms of exposure and focusing (manually because the infra-red colour spectrum is on a different 'length' than normal) - and lots of trial and error. See - too much hard work.
BUT - as with most things technical, some clever-clogs had the idea of pulling apart their perfectly good digital SLR, removing the infra red filter that blocks out IR from the sensor, and replacing it with a filter that will actually capture the IR wavelengths. And viola - a digital camera that 'sees' in infra red.
Above is an image I took last weekend with my 'new' infra red Canon 300D - a digital camera set up to capture IR images. It's a breeze to use - having been calibrated to focus in the IR spectrum (although it still pays to use fairly small apertures of around f8). On a bright, sunny day (great for infra red) you can hand-hold all day with shutter speeds of 125th - 250th. This is unheard of with 'traditional' IR using filters.
I was initially excited about the cameras Wedding applications - skin gets an eerie glow to it - almost ghost-like, together with the white of foliage, will make stunning photos here on the 'green' West Coast. But the more I looked into what others were doing with 'digital' IR, the more excited I got about it for my landscapes.
Getting your 'old' digital SLR converted to IR is trendy at the moment - some are even converting their (gasp) 5Ds to Infra red! Boy, you gotta love the results to do that. Once converted, the camera will ONLY take IR images - unless (and until) you convert it back. This is fairly major surgery, and something best left to the professionals. There are a handful of technicians willing to do the conversion, as well as some company's offering it now as well. I would strongly suggest you use them, rather than attempt the conversion yourself - although their are sites on the web that will take you through it step-by-step if you have a deathwish for your camera (or more money that I have to throw around).
I gotta say, it's pretty addictive - and I think I'm hooked. But I'm not 'quite' happy with the 300D I got from Trademe. Turns out that there are different 'grades' of filters you can use, to get different effects, and my camera just happens to use a very strong grade of filter so that I can only achieve the Black & White IR look. Other, less strong filters, will allow more colour to pass through as well - and this is called 'false colour' infra red. The effects of which can be simply stunning!
I have a 10D kicking around doing nothing now that I use the 1D and 5D at weddings. Maybe the 10D will find its way to a technician who will convert it into 'false colour' IR for me? I'd say that's more than likely...
I have (or should that be 'had') no interest in Infra Red photography whatsoever. Sure, it was the kind of technique I thought I might 'give a go' one day - I even bought a roll of infra red Kodak film back in the good old days - and I've probably still got it somewhere? From the little I had read about it infra red photography seemed like, well, too much hard work.
But that, of course, was before digital. Not that I had any burning desire to play with infra red techniques with digital either. Until I saw a camera come up on Trademe.
Infra red in the past, even with digital, meant using special (read expensive) filters, long shutter speeds, guesswork in terms of exposure and focusing (manually because the infra-red colour spectrum is on a different 'length' than normal) - and lots of trial and error. See - too much hard work.
BUT - as with most things technical, some clever-clogs had the idea of pulling apart their perfectly good digital SLR, removing the infra red filter that blocks out IR from the sensor, and replacing it with a filter that will actually capture the IR wavelengths. And viola - a digital camera that 'sees' in infra red.
Above is an image I took last weekend with my 'new' infra red Canon 300D - a digital camera set up to capture IR images. It's a breeze to use - having been calibrated to focus in the IR spectrum (although it still pays to use fairly small apertures of around f8). On a bright, sunny day (great for infra red) you can hand-hold all day with shutter speeds of 125th - 250th. This is unheard of with 'traditional' IR using filters.
I was initially excited about the cameras Wedding applications - skin gets an eerie glow to it - almost ghost-like, together with the white of foliage, will make stunning photos here on the 'green' West Coast. But the more I looked into what others were doing with 'digital' IR, the more excited I got about it for my landscapes.
Getting your 'old' digital SLR converted to IR is trendy at the moment - some are even converting their (gasp) 5Ds to Infra red! Boy, you gotta love the results to do that. Once converted, the camera will ONLY take IR images - unless (and until) you convert it back. This is fairly major surgery, and something best left to the professionals. There are a handful of technicians willing to do the conversion, as well as some company's offering it now as well. I would strongly suggest you use them, rather than attempt the conversion yourself - although their are sites on the web that will take you through it step-by-step if you have a deathwish for your camera (or more money that I have to throw around).
I gotta say, it's pretty addictive - and I think I'm hooked. But I'm not 'quite' happy with the 300D I got from Trademe. Turns out that there are different 'grades' of filters you can use, to get different effects, and my camera just happens to use a very strong grade of filter so that I can only achieve the Black & White IR look. Other, less strong filters, will allow more colour to pass through as well - and this is called 'false colour' infra red. The effects of which can be simply stunning!
I have a 10D kicking around doing nothing now that I use the 1D and 5D at weddings. Maybe the 10D will find its way to a technician who will convert it into 'false colour' IR for me? I'd say that's more than likely...
Wednesday, 7 January 2009
Happy 2009
Happy 2009 to all. I know it's a week late - but I've only just picked myself up from a lousy start to the new year (had a nasty tummy bug).
Consequently, I haven't been out much lately, but I did manage to get this image (above) last night. Quite a bit of post photo-shop work went on to get the final image - surprisingly (not) the sky wasn't that colour at all.
I'm gearing up for a model shoot this weekend - shooting bridal gown images for a local woman who is starting a business selling imported wedding dresses. Several locations, 7 models, and lots of dresses! I'm really looking forward to it. Will post some images and relate the experience on the blog when the dust settles and the images are processed.
Until then...
Subscribe to:
Posts (Atom)